[et_pb_section fb_built=”1″ next_background_color=”#ffffff” _builder_version=”4.14.7″ _module_preset=”default” background_image=”https:\/\/marienoelledelapoype.com\/wp-content\/uploads\/2022\/02\/baniere-test.jpg” custom_padding=”50px||50px||true|false” bottom_divider_style=”curve” bottom_divider_height=”50px” bottom_divider_flip=”horizontal” global_colors_info=”{}” global_module=”25012″ theme_builder_area=”post_content”][et_pb_row _builder_version=”4.14.7″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.14.7″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.14.7″ _dynamic_attributes=”content” _module_preset=”default” header_text_align=”center” header_text_color=”#FFFFFF” header_font_size=”60px” header_text_shadow_style=”preset5″ header_text_shadow_color=”#000000″ global_colors_info=”{}” theme_builder_area=”post_content”]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF90aXRsZSIsInNldHRpbmdzIjp7ImJlZm9yZSI6IjxoMT4iLCJhZnRlciI6IjxcL2gxPiJ9fQ==@[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”3.22″ global_colors_info=”{}”][et_pb_row admin_label=”row” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Text” _builder_version=”3.27.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”]Au Finist\u00e8re Espagnol, il existe un site o\u00f9 l\u2019on peut croire voir du bois p\u00e9trifi\u00e9 sortant du sol. Marie-No\u00eblle Relecom s\u2019est rendue dans cette r\u00e9gion et elle s\u2019est aper\u00e7ue tr\u00e8s vite par la forme et par la texture des \u00e9l\u00e9ments qu\u2019il ne s\u2019agissait ni de bois, ni de pierre mais d\u2019ossements de grands c\u00e9tac\u00e9s rejet\u00e9s par la mer au cours des derniers si\u00e8cles. L\u2019id\u00e9e lui est venue de sauver ces mat\u00e9riaux en t\u00e9moignage de son respect de la nature et des esp\u00e8ces vivantes. Dans le domaine de la sculpture, le choix du mat\u00e9riau n\u2019est jamais innocent. Si l\u2019id\u00e9e pr\u00e9vaut sur la mati\u00e8re, le sculpteur choisira ce qui est le plus ad\u00e9quat. Hors, depuis le quattrocento, le r\u00f4le de l\u2019artiste \u00e9tait d\u2019imposer son savoir par la ma\u00eetrise de la mati\u00e8re. C\u2019\u00e9tait d\u2019ailleurs principalement sur ce crit\u00e8re que les amateurs d\u2019art jugeaient de la mani\u00e8re ou, plus commun\u00e9ment aujourd\u2019hui, du style de l\u2019artiste. Au XX\u00e8me si\u00e8cle, les artistes sont sortis des ateliers et du \u00ab syst\u00e8me des Beaux-Arts \u00bb, pour s\u2019int\u00e9resser non seulement \u00e0 l\u2019univers qu\u2019ils cr\u00e9ent mais aussi au monde d\u00e9j\u00e0 cr\u00e9\u00e9 qui les entoure. L\u2019acte de sculpter s\u2019en est trouv\u00e9 profond\u00e9ment modifi\u00e9 et la forme de certains objets trouv\u00e9s s\u2019est impos\u00e9e telle quelle aux artistes. <\/p>\n
Like stone sculptors , who on discouvering a fossil in its block of stone , see that this inert matter contains a proof of life , Marie-No\u00ealle de la Poype very quickly became aware of significiance contained in the smallest part of the skeleton of a large cetacean. The coming together of individual mythologies with a potential for triggering awareness that such a meeting provokes will always generate a whole host of thoughts as deep as the majestic ocanic abysses. Marie-No\u00ealle de la Poype is conscious of the perception we have of these animals and the elements struck her both through their materiality and their form . Her artistic action is thus concentrated on reification trough an assembly of certain parts of a whole ,in order to bring to life a new organic object with meaning. Her sensitivity leads her to adopt various approaches . When the specificity of the material is dominant , her approach is to apply a transparant colouring . Form and size are also often perceived as potential messages . And interpr\u00e9tations in plaster, aluminium or bronze of certain forms and structures also serve the discourse of MNdlP in her overall project of senerity. She sometimes makes modifications by eliminating material when an object is too time-worm ,so that it no longer evokes the animal of which it used to form part , and its new intrinsic existence is then given through a revelation of the form it already bore, but too secretly. <\/p>\n
Other discoverles on the shores of Patagonia underpin her approach . The assemblies of bones are not lying on a plinth or metallic stand , but on a stone.The mineral element put in relation with the most lasting remains of the largest animal from the blue planet puts us in the presence of a solid and visual secular memory . Earth and sea are pr\u00e9sent before us. <\/p>\n
The lava stone comes from the centre of the earth , certain minerals reveal their geographical origin , others have energetic properties , and meteorites , for their part, are testimonles of the universe . All these stones picked up here and there , in the course of her travels , are put in relation with one another through assemblies with the bones of the largest ,the most majestic , but also the most enigmatic animals known anywhere in the universe . These mineral and organic works will transport you into the secrets of the universe that cath woman carries in the deepest part of herself : genesis. <\/p>\n
Etienne Tilman[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
Au Finist\u00e8re Espagnol, il existe un site o\u00f9 l\u2019on peut croire voir du bois p\u00e9trifi\u00e9 sortant du sol. Marie-No\u00eblle Relecom s\u2019est rendue dans cette r\u00e9gion et elle s\u2019est aper\u00e7ue tr\u00e8s vite par la forme et par la texture des \u00e9l\u00e9ments qu\u2019il ne s\u2019agissait ni de bois, ni de pierre mais d\u2019ossements de grands c\u00e9tac\u00e9s rejet\u00e9s […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":11,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-3975","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/marienoelledelapoype.com\/en\/wp-json\/wp\/v2\/pages\/3975","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marienoelledelapoype.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/marienoelledelapoype.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/marienoelledelapoype.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/marienoelledelapoype.com\/en\/wp-json\/wp\/v2\/comments?post=3975"}],"version-history":[{"count":3,"href":"https:\/\/marienoelledelapoype.com\/en\/wp-json\/wp\/v2\/pages\/3975\/revisions"}],"predecessor-version":[{"id":25122,"href":"https:\/\/marienoelledelapoype.com\/en\/wp-json\/wp\/v2\/pages\/3975\/revisions\/25122"}],"wp:attachment":[{"href":"https:\/\/marienoelledelapoype.com\/en\/wp-json\/wp\/v2\/media?parent=3975"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}