{"id":4213,"date":"2022-02-18T09:34:31","date_gmt":"2022-02-18T08:34:31","guid":{"rendered":"https:\/\/marienoelledelapoype.com\/eglantine-fabre-2022\/"},"modified":"2022-03-18T12:22:50","modified_gmt":"2022-03-18T11:22:50","slug":"eglantine-fabre-2022","status":"publish","type":"page","link":"https:\/\/marienoelledelapoype.com\/en\/eglantine-fabre-2022\/","title":{"rendered":"Eglantine Fabre (2020)"},"content":{"rendered":"\n[et_pb_section fb_built=&#8221;1&#8243; next_background_color=&#8221;#ffffff&#8221; _builder_version=&#8221;4.14.7&#8243; _module_preset=&#8221;default&#8221; background_image=&#8221;https:\/\/marienoelledelapoype.com\/wp-content\/uploads\/2022\/02\/baniere-test.jpg&#8221; custom_padding=&#8221;50px||50px||true|false&#8221; bottom_divider_style=&#8221;curve&#8221; bottom_divider_height=&#8221;50px&#8221; bottom_divider_flip=&#8221;horizontal&#8221; global_module=&#8221;25012&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.14.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.14.7&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.14.7&#8243; _dynamic_attributes=&#8221;content&#8221; _module_preset=&#8221;default&#8221; header_text_align=&#8221;center&#8221; header_text_color=&#8221;#FFFFFF&#8221; header_font_size=&#8221;60px&#8221; header_text_shadow_style=&#8221;preset5&#8243; header_text_shadow_color=&#8221;#000000&#8243; global_colors_info=&#8221;{}&#8221;]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF90aXRsZSIsInNldHRpbmdzIjp7ImJlZm9yZSI6IjxoMT4iLCJhZnRlciI6IjxcL2gxPiJ9fQ==@[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;section&#8221; _builder_version=&#8221;3.22&#8243; global_colors_info=&#8221;{}&#8221; custom_padding=&#8221;||101px|||&#8221;][et_pb_row admin_label=&#8221;row&#8221; _builder_version=&#8221;3.25&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Text&#8221; _builder_version=&#8221;4.14.8&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<h2 style=\"text-align: center;\">Art ready to wear<\/h2>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>For the anthropologists ornamentation is of prime importance, both a symbol of universality and a base for the early societies\u2019 aesthetic repertoire. Adornment appears as the art figurehead in its most remote forms. Therefore, it was only natural for MNP to turn its century-old cetacean bones into artworks to be worn<\/p>\n<p>Pendants, breastplates, rings, brooches, earrings retain the raw material strength and dress up. Embellished with precious stones, sometimes coated with chinese ink, or appeared in their simplest form: rough. Both soft and spongy to the touch, with their totemic, sensual or angular shapes, they echo MNP\u2019s first sculptures.<\/p>\n<p>And that\u2019s what these jewels are: talismans to wear, totems to pose. Far from the skin, farandole of miniature sculptures on their slate bases, like antique figurines they rise. The communion of two living beings: Nature and Human.<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"<p>Art ready to wear &nbsp; &nbsp; For the anthropologists ornamentation is of prime importance, both a symbol of universality and a base for the early societies\u2019 aesthetic repertoire. Adornment appears as the art figurehead in its most remote forms. Therefore, it was only natural for MNP to turn its century-old cetacean bones into artworks to [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-4213","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/marienoelledelapoype.com\/en\/wp-json\/wp\/v2\/pages\/4213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marienoelledelapoype.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/marienoelledelapoype.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/marienoelledelapoype.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/marienoelledelapoype.com\/en\/wp-json\/wp\/v2\/comments?post=4213"}],"version-history":[{"count":7,"href":"https:\/\/marienoelledelapoype.com\/en\/wp-json\/wp\/v2\/pages\/4213\/revisions"}],"predecessor-version":[{"id":25077,"href":"https:\/\/marienoelledelapoype.com\/en\/wp-json\/wp\/v2\/pages\/4213\/revisions\/25077"}],"wp:attachment":[{"href":"https:\/\/marienoelledelapoype.com\/en\/wp-json\/wp\/v2\/media?parent=4213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}